Hermanos, one of many clay head sculptures 3D scanned for further digital editing. A work in progress by Tibbe Van Der Peijl
Welcome to the 3D-print and -scan lab of the School of Arts Ghent.
Notice to students: we'll try to include every project but if the preparation takes longer than an hour we'll have to plan according to the current situation.
Location: Offerlaan 5, 9000 Gent, first floor
| Open on | ||
|---|---|---|
| Monday | Wednesday | Friday |
| 10:00 - 16:30 | 10:00 - 16:30 | 09:00 - 12:30 |
A first test by Fernanda Ureta to mill drawings into floral foam.
Formlab engraved a set of chisels as a way to mark them for use in class.
Martha Kicsiny milled wooden 'Frames of Feudalism'
The Axidraw pen plotter fills large scale characters with a crosshatch pattern.
Dimitris Theocharis designed connector pieces that join carbon fiber rods and parachute fabric to create an elegant tetrahedral structure.
Greta Facchinato experiments with a pen plotter questioning if it possible to apply the craft of ink-making to digital technology.
Pei-Hsuan Wang created a transparent horse for an exhibition in Kunsthal Ghent.
Mathilde Bezon researches the conservation of pastel drawings by using a pen plotter to make consistent colour samples that will be tested in the lab.
Follow the steps in reconstructing a Virginal soundboard rosette.
Laura De Jaeger puts 3D printed stones next to the original ones in her exhibition.
We used the milling machine to drill a plethora of small holes in a sheet of messing in preparation for EDM machining (outsourced).
This is a close up of one of the panels of AI Messages, a work by Jerry Galle.
Penelope Cain coloured 3D prints with fabric dye.
Custom shoe soles made by pouring rubber in a 3D printed mould. This design is by Kilian Goderis.
Danylo Kovalenko converted a sketch into a small and detailed pin.
A tiny gear to repair a broken tape recorder, by Kilian Goderis.
A bowl with the pattern of leaf veins. Printed flat, then formed over a mould in the oven. Design by Luka Depoortere.
A stamp milled in aluminum for marking clay tiles.
The end results of the research project 'Tools For Things And Ideas' are showing in an iMal exhibition. It runs until Sunday 6 February.
Experiments with microscopic views of growing birefringent crystals. A collaboration with Maria Boto from Laboratorium. More info here.
Formlab printed flexible substrates for experiments with structural colours by Laboratorium.
Bringing a 3D print and a growing organism together in an intimate relationship.
Freshly extruded filament, pigmented with powder from the algae D. Salina. A project by Tools for Things and Ideas in collaboration with Laboratorium.
A patterned wooden piece for an assembly by Beata Kwaśnica.
A scan of Viktor Froyen was digitally aged and printed.
Experiments with alternative printing methods don't always turn out pretty.
A resin print came loose from the build plate and incorporated its random movements into its body.
A green-yellow tinted spool of recycled filament by Uģis Albiņš.
Aluminum brackets by Eloïse Baele
3D scans of Lilly the fish and some plastic teeth by Milla Van Der Graaf
Modular parts for an animation puppet of Jeanneke Pis. A project by Sofia Erzini
Finishing a resin print made with the Projet 3600. The objects will become necklace pendants of a tiny Jesus crucified on a cross modeled after an IUD. This is a work by Julia Lackner.
Ball and socket-joint tests for a stop motion animation puppet are put in the oven to remove the support wax.
Jewelry prototypes by Bernadette Kretzschmar.